"Dreamlands: Immersive Cinema and Art, 1905–2016 focuses on the ways in which artists have dismantled and reassembled the conventions of cinema—screen, projection, darkness—to create new experiences of the moving image."

Met o.a. Factory of the Sun (2015) van Hito Steyerl: "Simultaneously playful and critical, the work hints at the utopian potential of the Internet while also critiquing its use for surveillance and economic exploitation.”

Website, Andrew Kreps Gallery

Hito Steyerl, How Not to be Seen: A Fucking Didactic Educational .MOV File, (2013).

Bekijk de video hieronder

Lees het artikel van Alice Rawsthorn over 'How to Kill People' van George Nelson, in het kader van het MoMa project 'Design & Violence' (2015).

Lees het artikel van Hito Steyerl: Duty Free Art

Lees het artikel van Hito Steyerl: Too Much World: Is the Internet Dead?

De George Nelson Foundation beschermt, promoot en verspreid het gedachtengoed van George Nelsons werk.